Ok… This is crazy! The artist must be a very little person with very little hands to be able to make these awesome sculptures in the eye of a needle!! This takes a very particular mind and pair of eyes and hands to be able to create the below. It is not me that is for sure! I say Bravo!
We have a local SF artist by the name of Barry McGee who is one of the godamn coolest artists i can think of. I have this secret crush on him or his work or his attitude or something. He is just so fucking amazingly talented and so down to earth and true. He is an authentic street graffiti artist as well as an Art Institute of San Francisco (the oldest art school west of the Mississippi!) grads and now is one of their highly regarded alumni. I would give my little pinky to be able to watch him in action. I believe that creativity just flows through those highly trained eyes and hands.
His story is of success but also tragedy due to his loss of his (also super talented and AI trained artist) Margret Kilgallen with whom was married to and just had baby, to a quick acting cancer in 2001. She was only 34 years old.
Margaret Kilgallen
Thankfully Barry McGee forages on with the new role as parent but with success surrounding his every step.
I heart you Barry McGee!
by Alison Nastasi. Posted on 8:00 pm Tuesday May 8, 2012
An artist’s studio is the site of invention and an influential environment where form and function are of equal importance. My Modern Met’s post about one uniquely designed studio on rocky Fogo Island fueled our creative juices. The photos inspired us to search out other incredible art studios around the globe that emphasis beautiful design, integrate nature, or just wowed us with their interesting use of space. Each one becomes a work of art in and of itself. See them all past the break. If you know about an amazing studio, please fill us in below.
Squish Studio
On the offshore Fogo Island in Newfoundland and Labrador, Canada is Squish Studio — a gorgeous workspace jutting from the scenic, rocky coastline. Saunders Architecture gave the studio solar panels — something that becomes particularly beautiful at night as they light up the structure like a lighthouse — a compost toilet, and other eco-friendly touches.
Tower Studio
We might be joining Team Saunders soon if the architectural firm keeps creating beautifully designed studios such as the Tower Studio, also located on Fogo Island like the aforementioned Squish Studio. The angular, twisted exterior is completely windowless (but gets plenty of interior sun thanks to a massive skylight) and black, and can only be reached by hike. Three levels tall and featuring inclined surfaces — making it appear as though a mad German expressionist created it — the studio features all the same eco-savvy tools as Squish. Be sure to visit Bridge and Long studios also from Saunders Architecture to imagine further creative possibilities.
Shipping Container Studio
Most people generally don’t think of shipping containers as attractive structures, but MB Architecture does and has created a functional, but inviting workspace. Aiming to blend the boxy studio with the surrounding environment, the architects kept things simple and clean — allowing white walls to act as enormous blank canvases highlighted by ample natural light.
Image credit: Yiannis Hadjiaslanis
Greek Studio
Boeotia, Greece boasts a dome-shaped workspace, complete with sculpture gallery, balcony, storage area, and cantilevered concrete steps that can also serve as an exhibit area. Inspired by the “spirit of the Greek landscape,” A31 Architecture wanted to create something that felt timeless — recalling antiquity and modernism. Unique construction considerations — including the sun’s trajectory — make the art warehouse a truly special place for one local painter/sculptor.
Airstream Studio
We’re big fans of mobile everything, and repurposed Airstream trailers are near the top of the list. One artist transformed her iconic recreational vehicle, updating the 1963 trailer for art’s sake. The furniture and décor pays homage to the vintage Airstream, but doesn’t sacrifice workspace for style.
Image credit: Undine Pröhl
Bridge Studio
Safdie Rabines Architects wanted to minimize the impact their beautiful structure would have on the natural environment, so they created an actual “bridge” that connects the two-person workspace to an adjacent house. Perched atop a canyon, the floor-to-ceiling glass doors create openness while providing a killer view of the San Diego area.
Image credit: Ole Hein and Poul Høilund D. Cruise
Stable Studio
Looking at one Denmark stable from the outside, you wouldn’t be able to tell that the space is a haven for artists. Copenhagen firm Svendborg Architects have built the workspace inside an existing stable, preserving the structural walls and roofline. One half of the gabled interior is fitted entirely with mirrors in order to reflect things into the studio via the skylights on the other side of the pitched roof. It’s a progressive way to transform an old farmhouse, respecting the surrounding environment.
Painting Studio
One artist’s studio looks like the house that Ikea built, and we approve. The brightly lit painting workspace contains a large storage area, its own workshop, a garage, and a garden shed. You’d never guess the sleek, modern studio was located in the burbs of Melbourne.
Carport Studio
Architects Edwards Moore designed this translucent fiberglass carport studio in Melbourne. The simple, lovely design has a clean façade, allowing it to seamlessly blend with the adjacent first floor, art deco-style apartment. The workspace features porthole windows, a shower/wet area, and canoe storage (jealous!), among other amenities.
Portland Studio
Dangermond Keane Architecture wanted to “capture and add warmth to the silver Oregon daylight,” which judging from episodes of Portlandia does seem to need a little sunny oomph. This Portland painter’s studio is a single-person structure, and the stylish design doesn’t detract from its intimacy.
Forest Studio
If you’ve ever dreamed about quietly working away in the middle of the forest like Snow White, then behold one New York artist’s studio surrounded by trees and silence. A transparent roof allows you to daydream while painting, and the interior design is minimal, putting the emphasis on your work.
Ivy Studio
This ivy-covered workspace looks like it sprouted in the garden on its own. It recently won an Honor Award from the American Society of Landscape Architects for its impressive marrying of organic and modern. The old garden shed was fitted with an exterior metal frame for the ivy to cling to, and the results are utterly charming.
No. 19 Studio
Kortknie Stuhlmacher Architecten of Rotterdam collaborated with artists BikvanderPol for a municipal art program in Utrecht. The mobile studio “doesn’t aim at being a piece of art in itself, but mainly offers a practical and affordable place to stay.” The massive structure maximizes space and function, allowing its inhabitants to divide the long interior however they please. Don’t worry, the behemoth structure is safe for transport and is permitted on public roads. We dig the studio’s dungeon-like trapdoor opening.
Ultra Modern Studio
Architects B+U, LLP’s art studio looks like it landed from outer space, but the ultra sleek and modern workspace is located in Los Angeles. On a hillside, the structure was built onto an existing single story house and is flexible enough to be easily transformed into a guesthouse (complete with wine cellar, jacuzzi, and more decks than any human being really needs). The curved steel might look out of place initially, but the firm explains their intent:
“The main design emphasis was a variety of trajectories that explored different movements and paths through the trees and the landscape, preserving the existing oak trees and minimizing modifications to the ground. The trajectories became the circulation path that in the areas of the studio and the cellar formed spatial enclosures, but mostly articulated as a trail through the thriving landscape.”
Tree House Studio
Hidden in the forests of Scotland, this tree house art studio is accessible by way of a bridge and wooden pathway, constructed to match the workspace. Part of the studio was built from the trees cut down to make space for it, aiming to minimize waste. Large windows and simple design make it an inspiring place for creative collaboration, as commissioned by the London Fieldworks art association.
Modern Tree House Studio
Rockefeller Partners Architects’ is a modern interpretation of a tree house, inspired by the branch-like steel pylons the art studio (and part-time sanctuary) is built on. The design shapes itself around the contours of the trunk — an homage to its California surroundings. Wood features prominently throughout the studio’s design, which features a fireplace and private outdoor shower for when things get really messy.
I have been following this artist named Richard Sweeney for a really long time (in fact his work has been my iphone’s wallpaper for years!). He is my FAVORITE paper artist that is currently working today. He has an architectural influence in all of his works. Although his works can be small when he choses, I find that it is usually worked in a large scale. (just to keep my fingerprints off anything like this would be a tough task, let alone making it so large! His work is so flawless, innovative and beautiful!
I discovered while taking a sculpture class and working in hydrocal (kinda between plaster and concrete but white like plaster but stronger like concrete.), how beautiful a white form can be. Especially when photograph. The lines and shadows of the piece make the most amazing visual form with the shadows being as much a part of it as the light is. I think Mr. Sweeney really gets this concept too. The complex simplicity of his works are so stunning. They look so flawless that it almost appears easy until you think about how much time and preparation. Or to try just folding basic origami or cutting paper, one quickly finds that it is anything but!
He continues to surprise me with his innovation of the simplest forms and scale of his work. Every time i go to see his images, i just kinda get lost in his amazing work. Although he does not work exclusively in paper (ceramic, ply wood, metal etc) I think he is going to go down in history as one of the premier artists that works in the medium of paper, of our time. But, by then, who knows what medium he will be manipulating! I cant wait to be able to watch and see though. Enjoy!
http://www.richardsweeney.co.uk/
Richard C. Elliott (to our family; Dick) is my uncle. He and his wife Jane Orlemon are (/were… Dick lost his battle with pancreatic cancer in 2008 and we miss him dearly!) artists that moved to Ellensburg Washington and began with some friends, a really rich artist community in the late 70′s. Both Dick and Jane are successful artists. Very different in style and scope but both 100% pure artists. I will be doing my post on Jane soon… Watch for it! But this post is about Dick.
Let me tell you a little bit about why my uncle Dick meant so much to me and still does even though he is no longer here. Both of my parents love me dearly and accept me as a creative spirit, but, it took some years to convince them that i had no choice but to be an artist. They thought it could be a hobby but nobody makes a living at being an artist so i needed to pursue more employable lines than art. Dick told me otherwise. Right when i would be questioning my decisions most it seemed. He understood that sometimes one doesn’t have the choice to not be an artist and figuring out a way to make it work is the job. Thus, Dick and Jane both were my mentors and role models as working artists themselves.
You may not be as familiar with Richard C. Elliott’s work by name, but if you have been in Washington, Chicago, Denver, New York and many other places, you may have seen his work. Dick was commissioned to do large scale art in public places and not as much in galleries.
Dick was one of the most amazing charcoal portrait artists i have ever seen. The problem was, he hated doing them. They were too restrictive and he was too much of a perfectionist. He found his medium with… of all things… reflectors. Now dont snub your nose just yet. He used roadside reflectors in basic colors, sometimes as many as 5 layers deep to create geometric patterns. I see a lot of north pacific coast Native American influences in his work, but i also know that he was interested in pattern in culture and researched this with many cultures and time periods. It is just best to allow you to see his gift to us yourself to do his work justice. His website http://www.reflectorart.com is still maintained by Jane who is flourishing still even without her partner in art, life and love. It is definitely worth a look!
I hope you enjoy this little clip showcasing some of his work. I am proud to be able to share it with you!
Oh yeah… Yes. They actually had 2 dogs named spot at different times 
.
